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Below the surface of our everyday lives, there exists an interwoven tapestry that links everything together. Disparate items, even of vastly different scales, can have forms or processes that resemble each other. In an effort to reveal an unseen world where distinct objects and concepts merge into one, I combine imagery from diverse sources so that connections are no longer abstract, but concrete and visualized. Similar to the synectics movement of the 1960's, which attempted to produce new ideas or solutions by the creative blending of dissimilar objects, my paintings create new worlds through synthesis.  Like the fusion of ingredients that occurs when food is cooked, the elements in my paintings simmer together until they form their unique blend.digits and designsThe major genres of paintings, portrait, landscape, and still life are traditionally distinct groups with established boundaries. In Prague, 500 years ago, Giuseppe Arcimboldo shattered one of these divisions when he made portraits of the Hapsburg court by combining an overabundance of flowers, fruits, and animals. More recently, authors such as Frank Baum and Roald Dahl have invented edible worlds to delight their youthful readers. While the scenes they describe often appeal to a child's sweet tooth, adults also have an appetite for savory fantasies.

While enjoying all that the earth has to offer, it is important to remember how humans rely on the ecosystems of the planet to survive. The land and the fruits that it produces are equally essential to human life. By blurring the line between landscapes and still lives, I hope to inspire the viewer to contemplate the relationships between land, plants and humans.

From the intersection of my palate and my palette, my paintings combine memories from several different senses.  Combining many objects, tastes and memories, a painting never resembles one single place or reality, but rather a whimsical fantasy world. Oil paint is an appropriate media choice because it facilitates the blending of colors and ideas. In addition, the fluid consistency has a pleasant texture that works to lubricate the interaction between the artist and her canvas so that the inspiration and strokes flow freely.

 

View Tiffany Olson's Website.

 

  

Thank you for observing my work!  Here is a brief synopsis for the inspiration behind these paintings:

           

 

I loved going into the basement when I was a little monster. I enjoyed looking at all my dad’s weird taxidermy stuff, rusty motors and yucky pipes with bright blue stuff on them. It wasn’t until I started going to art school that I realized all that weird bright blue stuff and rust was called patina. Patina is the corrosion on metal that happens over a long period of time. By understanding which chemicals cause reaction on metal, as an artist I can create this look whenever I want. I love that I can make this happen, but also enjoy that I don’t have total control. Once the chemical reaction takes place, there isn’t much I can do to control it.

 

My work is always inspired by nature and this series is no different. I will reference photographs that I have taken to generate ideas. All these paintings get textured heavily with a plaster mixture first. Then I paint the first layer with a regular paint to lay the groundwork for the image. Lastly, metal infused paints go on top. Various applications will be used to add the different chemicals that will react with the paint. Once it dries the way I like, I will clear coat everything so the patina will stop its process. If I let the patina go, it will eventually eat through the canvas and wood.

 

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